Pinault Collection / Valie EXPORT, Verkreuzung, 1972. Palazzo Grassi et Punta della Dogana sont les musées d'art contemporain de la Collection Pinault à Venise, Italie Pinault Collection / Henry Taylor, Untitled (Liz Glynn), 2019. © Henry Taylor. After welcoming the American duo Melissa Dubbin and Aaron S. Davidson (2016), the Belgian artist Edith Dekyndt (2017), the Brazilian artist Lucas Arruda, the French-Moroccan artist Hicham Berrada is currently in residency in Lens. (Foreground, left, center and right) Nairy Baghramian, Scruff of the Neck (Stopgap), 2016 / Scruff of the Neck (Stopgap), 2016, Pinault Collection / Scruff of the Neck (Stopgap), 2016, Private collection. The Wilmotte Foundation was established in the heart of authentic Venice with the inauguration of its gallery, The Fondaco Degli Angeli in August 2012.The mission of the Foundation is to promote the contemporary graft among young architects and European students. © Thomas Houseago by SIAE 2020, and works by Magdalena Abakanowicz, Garry Barker, Lee Bontecou, Teresa Burga, Nancy Grossmann, Charles Ray, Paul McCarthy. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti. He will be succeeded by the French artist Bertille Bak in summer 2019.François Pinault founded the Pierre Daix Prize, in homage to his friend who passed away in 2014, the art historian Pierre Daix. Maeght Foundation. Works in the Pinault Collection are displayed in exhibitions that often involve the artists directly through specific commissions to create new works In 2021, the new museum of the Pinault Collection will open in Paris, inside the Bourse de Commerce, which will be renovated by Tadao Ando Architect & Associates together with the agency NeM / Niney & Marca Architectes, the agency Pierre-Antoine Gatier and to SETEC Bâtiment. News We have put special measures in place to receive you safely: from July 1st, 2020 These sites were renovated and rehabilitated for their new purpose by the Japanese architect Tadao Ando, a Pritzker Prize laureate. (From left to right) Enrico David, Senza titolo, 2012. Pinault Collection. Courtesy of the artist and Gagosian Gallery. Photo Roland Michaud. Courtesy of Galerie Thaddaeus Ropac, London / Paris / Salzburg. Le palazzo Grassi a été construit au milieu du XVIIIème siècle par le célèbre architecte Massari pour le compte de la famille Grassi. / Henry Taylor, Don’t Hate Haitians, 2016. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti. Ronan and Erwan Bouroullec have been appointed to design and choose all the furniture for the Bourse de Commerce.Works in the Pinault Collection are also regularly presented in exhibitions across the world, including in Paris, Moscow, Lille, Essen and in Stockholm. In Venice, François Pinault's private collection of modern and contemporary art interacts constantly with the city's extraordinary cultural heritage, with the artists and the curators' work, as well as with the international art world.François Pinault has channeled his passion for contemporary into assembling one of the most important collections in the world today: it now includes more than three thousand works from the twentieth and twenty-first centuries. (Foreground, background from left to right) Auguste Rodin, Iris, Messagère des Dieux, 1890-91. In Venice, François Pinault's private collection of modern and contemporary art interacts constantly with the city's extraordinary cultural heritage, with the artists and the curators' work, as well as with the international art world. Pinault Collection / Enrico David, Room for Small Head (Nadia), 2013. It is awarded each year to an exceptional study of modern or contemporary art. Jardin de sculptures. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti. The first signs of opening are visible in these days in Venice and throughout Italy after these months of lockdown. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti.Youssef Nabil, 'Say Goodbye, Self Portrait, Alexandria 2009'Henri Cartier-Bresson, 'Simiane-la-Rotonde, France, 1969', épreuve gélatino-argentique de 1973 © Fondation Henri Cartier-Bresson / Magnum Photos His approach is fed by his commitment to sharing his passion for art with as broad an audience as possible, and to accompanying artists as they explore new territories.Since 2006, François Pinault has oriented his cultural project along three axes: presenting exhibitions in Venice, in other institutions and supporting and encouraging up-and-coming artists and art historians.The Pinault Collection's museums are housed in two exceptional buildings in Venice: Palazzo Grassi, inaugurated in 2006, and Punta della Dogana, opened in 2009. Collection. Courtesy of the artist, Gagosian Gallery and Xavier Hufkens. Visitors can also discover works from emerging artists, featured in the Open Space programme, as well as the Collection of the Fondation … © Markus Lüpertz by SIAE 2020. The selection of artists-in-residency is made jointly by the Pinault Collection, the DRAC and FRAC Grand Large, Le Fresnoy – Studio National des Arts Contemporains and the Louvre- Lens. Photo Roland Michaud. A place, a vocation, works of art. Courtesy of the artist and Blum & Poe Los Angeles / New York / Tokyo / Karon Davis, The Birth of Horus, 2018. ️ NOTICE ️. Housed in a former rectory, adapted to its new purpose by the architects of the firm NeM/Niney & Marca Architectes, it was inaugurated in December 2015. (forefront) Thomas Houseago, Beautiful Boy, 2019. Solicited by public and private institutions, the Pinault Collection loan many of its works to international exhibitions.In partnership with the Hauts-de-France region and the city of Lille, François Pinault also founded a residency program in the former mining town. Courtesy of the artist and Michael Werner Gallery, New York and London / Markus Lüpertz, Helm I, 1970.


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